{"id":84578,"date":"2020-05-20T09:33:05","date_gmt":"2020-05-20T13:33:05","guid":{"rendered":"http:\/\/www.bumc.bu.edu\/busm\/?p=84578"},"modified":"2020-05-20T09:33:58","modified_gmt":"2020-05-20T13:33:58","slug":"a-loss-for-the-medical-campus-and-the-boston-jazz-scene","status":"publish","type":"post","link":"https:\/\/www.bumc.bu.edu\/camed\/2020\/05\/20\/a-loss-for-the-medical-campus-and-the-boston-jazz-scene\/","title":{"rendered":"A Loss for the Medical Campus\u2014and the Boston Jazz Scene"},"content":{"rendered":"<figure id=\"attachment_84579\" aria-describedby=\"caption-attachment-84579\" style=\"width: 2009px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" src=\"\/camed\/files\/2020\/05\/BU-Today-lance-martin-trio-19-1481-JAZZ-016.jpg\" alt=\"\" class=\"size-full wp-image-84579\" width=\"1999\" height=\"1334\" srcset=\"https:\/\/www.bumc.bu.edu\/camed\/files\/2020\/05\/BU-Today-lance-martin-trio-19-1481-JAZZ-016.jpg 1999w, https:\/\/www.bumc.bu.edu\/camed\/files\/2020\/05\/BU-Today-lance-martin-trio-19-1481-JAZZ-016-636x424.jpg 636w, https:\/\/www.bumc.bu.edu\/camed\/files\/2020\/05\/BU-Today-lance-martin-trio-19-1481-JAZZ-016-768x513.jpg 768w, https:\/\/www.bumc.bu.edu\/camed\/files\/2020\/05\/BU-Today-lance-martin-trio-19-1481-JAZZ-016-1024x683.jpg 1024w\" sizes=\"(max-width: 1999px) 100vw, 1999px\" \/><figcaption id=\"caption-attachment-84579\" class=\"wp-caption-text\">Lance Martin and the Lance Martin Trio performing at JazzFest in West Roxbury last year. Martin\u2019s death last week leaves a hole in the Boston jazz scene. Photo by Cydney Scott<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.bu.edu\/articles\/2020\/lance-martin-jazz-flute\/\">Lance Martin<\/a> has put down his flute for the last time, too soon.<\/p>\n<p>The popular, self-effacing administrative assistant of the School of Medicine <a href=\"https:\/\/www.bumc.bu.edu\/camed\/about\/diversity\/office-of-diversity-and-inclusion\/\">Diversity and Inclusion Office <\/a>and a stalwart of the Boston jazz scene died unexpectedly last week at age 60.<\/p>\n<p>\u201cFrom his brain to his lips to his flute, he was wired directly into it,\u201d says occasional bandmate <a href=\"https:\/\/profiles.bu.edu\/Rafael.Ortega\">Rafael Ortega<\/a>, a MED professor of anesthesiology, who had previously been Martin\u2019s supervisor.<\/p>\n<p>\u201cHe was one of the sweetest guys I\u2019ve ever met,\u201d says Boston drummer and producer Dan Cantor, a Berklee College of Music associate professor and a longtime friend, who is producing Martin\u2019s new album at his Watertown studio, <a href=\"https:\/\/www.notable.com\/\">Notable Productions<\/a>.<\/p>\n<p>Martin was popular not just with colleagues, but with students as well, often lending\u00a0 a sympathetic ear and advice about navigating school and life. <a href=\"http:\/\/www.lanceamartin.com\/\">As a musician<\/a> who played what he called \u201cphysical jazz,\u201d along with many other types of music, he was a favorite of Boston jazz fans, his fellow parishioners at <a href=\"https:\/\/tbcboston.org\/\">Twelfth Baptist Church<\/a> in Roxbury, and anyone who heard him play around the Medical Campus.<\/p>\n<p>\u201cHe was such an interesting person, and I will certainly miss my conversations with him,\u201d says Karen Antman, dean of MED and provost of the Medical Campus. \u201cHe was incredibly talented. I have never heard someone play a jazz flute like he could.\u201d<\/p>\n<p>Martin, who lived alone, was found dead Friday night in his apartment near West Campus by Boston Police performing a well-being check, with assistance from the BU Police Department. His death is under investigation by Boston Police, but is not believed to be suspicious.<\/p>\n<p><iframe loading=\"lazy\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/HPnwICM-yP4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure class=\"wp-block-bu-buniverse butoday-block-bu-buniverse alignwide wp-block-global-buniverse\"><figcaption>\n<p class=\"wp-block-global-buniverse-caption wp-prepress-component-caption\">Video by Devin Hahn<\/p>\n<\/figcaption><\/figure>\n<p>Long a mainstay of the city\u2019s jazz clubs, including the now-gone Ryles in Cambridge, where he gigged for nearly 30 years, Martin also\u00a0<a href=\"https:\/\/www.wellesley.edu\/music\/facstaff\/martin\">taught flute improvisation<\/a> to undergraduates at Wellesley College. The son of a minister, he grew up in a church-focused family in East Pittsburgh, and he was a fixture at Twelfth Baptist, playing during services and in many other settings and bringing in well-known names to perform, including Branford Marsalis.<\/p>\n<p>Jonathan Singleton, Twelfth Baptist minister of music,\u00a0had known him since the 1980s, when he arrived in Boston as a student at Berklee College of Music and heard Martin play.<\/p>\n<p>\u201cHis love for music enveloped you when you were around him,\u201d says Singleton, who calls Martin one of his best friends. \u201cHe had a unique style that made everything he played very soulful. He was trained on classical and loved jazz, but he made every song his own.\u201d<\/p>\n<p>Martin also had a strong sense of morality that infused his way of dealing with people, Singleton says. \u201cEven when he was upset, he wasn\u2019t negative, and he never used any harsh language. He was an awesome person to be around.\u201d<\/p>\n<p>The two also bonded over their love of corny 1960s and \u201970s TV show theme songs, Singleton says: \u201cHe was the only person I know who knew all the words to the Good &amp; Plenty TV commercial from the \u201960s.\u201d<\/p>\n<p>\u201cHe had a very broad repertoire,\u201d says Ortega, who is also a guitarist and played with Martin in the <a href=\"http:\/\/www.bu.edu\/articles\/2015\/boston-university-medical-campus-band\/\">Boston University Medical Campus Band<\/a>. \u201cHe had a tremendous memory for all the tunes in the Great American Songbook, he knew every standard you could think of\u2014and he didn\u2019t just know them, he could play them in any key.\u201d His enthusiasm extended to rock and R&amp;B hits audiences might request, right up to Beyonc\u00e9.<\/p>\n<p>Cantor and Martin became friends at a jam session in 1984. \u201cWe did a couple of choruses, just drums and flute, and had a fantastic time,\u201d Cantor says. \u201cWe just saw eye to eye.\u201d<\/p>\n<p>They played together many times thereafter, and Cantor learned that the drums-and-flute breakdown was a Martin signature. \u201cTo a great extent, people think flute is this sweet, mellifluous, melodic instrument, and he wanted to single-handedly change that,\u201d he says. \u201cHe wanted it to be tough, funky, and rhythmic.\u201d<\/p>\n<p>Cantor says Martin was taking his time with the new album, which includes both originals and covers\u2014among them \u201cOde to Joy\u201d<em> <\/em>from Beethoven\u2019s Ninth Symphony, with string players from Twelfth Baptist. \u201cI said, \u2018Don\u2019t you want to get some crack session players?\u2019 and he said, \u2018I love these ladies,\u2019\u201d he recalls. Also playing on the album are musicians Martin knew as a young man in Pittsburgh. Cantor says Martin has long been like family and he will look to completing the existing tracks.<\/p>\n<p>Friends laud Martin\u2019s generosity with players who weren\u2019t at his level.<\/p>\n<p>\u201cHe had the patience to play with people who probably sounded cacophonous to him and to tolerate, and even enjoy, it,\u201d Ortega says.<\/p>\n<p>\u201cHe would see the glint in their eye and encourage them to make the most of it,\u201d Cantor says, noting that Martin often encouraged his students to join him on the bandstand during club gigs, a generous gesture not many musicians would make.<\/p>\n<p>Taking care of those who needed help wasn\u2019t just a musical hallmark, says Ortega, who was associate dean for diversity and multicultural affairs, as it was known then, from 2002 to 2018. He\u00a0 hired Martin in 2012 as essentially an administrative assistant, scheduling meetings, organizing documents, and answering phones. Ortega was looking for someone who could serve as a big brother to students, including those in the <a href=\"https:\/\/www.bu.edu\/academics\/busm\/programs\/early-medical-school-selection-program\/\">Early Medical School Selection Program<\/a>\u2014\u201ca counselor if you will.\u201d<\/p>\n<p>\u201cTo be good at music, you need to listen more than play,\u201d Ortega says. \u201cStudents would unload their troubles and their questions, and he would listen and only answer back when needed. His musical training translated into his work.\u201d<\/p>\n<p>Martin\u2019s listening and his advice meant a lot to Raji Pyda (CAS\u201916, MED\u201921). \u201cI really got to know him a couple of years ago, when I myself was going through some interesting things personally. Of course we have the support of our administration, et cetera, but I think a lot of the time it\u2019s very difficult for people to talk about things that happen. And he had a very good pulse on how people felt. It\u2019s not just me. He has been a pillar of support for so many students.<\/p>\n<p>\u201cHe could have just left it at, \u2018Oh, I hope you\u2019re doing OK\u2019 and given me candy from the bowl,\u201d Pyda says. \u201cBut he always went the extra mile to make sure you were OK, and supported you in whatever way.\u201d<\/p>\n<p>\u201cHe was a very quiet, reserved person on the surface, but he was someone who touched people in profound ways,\u201d says <a href=\"https:\/\/profiles.bu.edu\/John.Polk\">John Polk<\/a>, MED associate dean for diversity and inclusion and an instructor in surgery, who talked music with Martin almost every day. \u201cYou give people a job description, but what people bring to their office is added value, and in Lance\u2019s case it was his character, a character of immense depth,\u201d Polk says.<\/p>\n<p>Maybe humans weren\u2019t the only ones who recognized that. \u201cHe was a complete lover of dogs\u2026a dog whisperer,\u201d Cantor says. \u201cMy dogs would hear him coming down the street and get excited, like Santa Claus was coming.\u201d<\/p>\n<p><em>Plans are underway for a memorial for Lance Martin on the Medical Campus.<\/em><\/p>\n<p>This <em>BU Today<\/em> story was written by Joel Brown.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Flutist Lance Martin remembered for his artistry, compassion.<\/p>\n","protected":false},"author":903,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[91],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/posts\/84578"}],"collection":[{"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/users\/903"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/comments?post=84578"}],"version-history":[{"count":3,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/posts\/84578\/revisions"}],"predecessor-version":[{"id":84582,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/posts\/84578\/revisions\/84582"}],"wp:attachment":[{"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/media?parent=84578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/categories?post=84578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bumc.bu.edu\/camed\/wp-json\/wp\/v2\/tags?post=84578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}